Visually Viewing Energy; Solid and Not-Solid Reality
Topics:
"Creating Playful 'Innernet' Sim Games"
"Visually Viewing Energy"
"Solid and Not-Solid Reality"
"Re-Evaluating the Significance of Interactions"
Session 20070224 (2206)
"Creating Playful 'Innernet' Sim Games"
"Visually Viewing Energy"
"Solid and Not-Solid Reality"
"Re-Evaluating the Significance of Interactions"
Saturday, February 24, 2007 (Private/Phone)
Participants: Mary (Michael) and Anjuli (Myranda)
ELIAS: Good afternoon!
ANJULI: Elias, good afternoon.
ELIAS: (Laughs) And what shall we discuss?
ANJULI: I managed again to create some nice experiences around this session, Elias.
ELIAS: (Laughs) Interesting experiences.
ANJULI: Okay, how to start with it? Some time ago I said that I don’t know where the next step is to our story.
ELIAS: Yes.
ANJULI: And then way back a while we talked about Timothy [a love in a future focus] and what he's doing, and you mentioned that what I see in these screens and just by thought, certain sceneries can be changed or something like that. And then you said that based on what we are exploring now with, what did you say, (inaudible) or computer games or what?
ELIAS: Yes.
ANJULI: Ja, and that time our computer games weren't really advanced, not at all (Elias chuckles), but now they are much more in the direction which I saw Timothy doing, only that for him it's of course much more advanced. But when thinking back, it felt to me at a certain moment of investigating our stories, how you at that time know of the probabilities of the direction of what we are exploring and what I am going to explore with Timothy and with my computer games, and that you know it and I felt it in your energy somehow.
ELIAS: Yes.
ANJULI: And when it arrived I fully understood it now when I am creating these computer games.
ELIAS: Yes.
ANJULI: With Timothy and with you and all that. (Elias laughs) And that was for me a surprise, because for a while I was investigating to use the tool of an inner screen and the screen shows everything, like with a computer game they are various Myrandas and Anjulis where I can switch and just click with my mouse on it, and then I switch to that probability and then I could come closer and see it on a computer or really enter it if I would like to choose.
ELIAS: Yes. And in this, you are beginning to recognize more of your abilities.
ANJULI: Ja. And I like to play like that, like imagining what type of stuff on this inner screen where I can choose this and that, or I see Elias and Patel and all of you also with various probable selves, that I can see the connection and I could make sure I can just see it on the screen and feel it as real or enter them, and that was such fun to experience and to imagine. And I had thought of when I said to you I can't even imagine what the next step is, and then there was more imagination of what to imagine (Elias laughs) – how to continue.
ELIAS: And this, my friend, is a fine example. For it is an example of being within the process and not concerning yourself with the outcome or what the next step may be, for in that, you allow for the next step to be presented. Rather than anticipating it and attempting to manipulate it in a particular direction, you allow for that to appear, so to speak. You also allow for your own fun in surprise. But this also sparks more imagination to allow you to become more motivated and more creative.
And as all that you do is interconnected, when you allow yourself more openness in one direction, you create more openness in other directions. At times it may not appear to be so, for you may be not recognizing and crediting yourself with what you are actually doing, but eventually when you allow yourself to clearly view what you have engaged, you will begin to notice that that openness has filtered into many directions and has allowed you to offer more information to yourself to generate MORE clarity.
And I am acknowledging of you, for in generating the games you create fun. And in creating the fun with the games, you create a lightness in energy. And when you create that lightness in energy, it allows you to move more easily in other directions also.
ANJULI: Ja. I called that game "Innernet Game," of course. (Elias laughs) [1] And then I thought of various translations of how to use that game in playful ways. And then I thought, "Okay, what do I see now on the screen?" And very often it was around the village surrounded by forest, a small village with old houses, and I wanted to see into them and see what's in the houses and to play with them like in a computer game. And then I felt, "Okay, what would be the next step, what would be the puzzle pieces that come up?" and that I don't know what they are for – like you said, now I can play and they are just there in the moment and I address to them.
ELIAS: Yes.
ANJULI: And what happened in the next moment I created a new computer game, my favorite game of the Sims, and it's called the Sim Stories. And one is Laura Stories and the other one is Luke Story. And in that story, the village looked exactly as I had seen it, and at this time the computer game was about in certain moments certain kinds of goals coming up, like I see the next goal of Laura is to go to the computer and read the mails, for example; or adjust the watch, and this watch means that a new goal only comes up when she is acting in a certain way, and after she has acted in a certain way a new puzzle piece comes up.
And I was so fascinated by that because it gave me also something for my inner screen to play with. Like I was seeing the watch and using that for creating more movement and experiences until a new puzzle piece comes up, or to imagine what piece is not there and I want to use it and go by it.
ELIAS: I am understanding. And with each piece, as you allow yourself to, in a manner of speaking, examine the piece itself and subsequently move back, in a manner of speaking, it allows you to fit the pieces together and allows you to view the bigger picture.
ANJULI: Ah, yes. That's right.
ELIAS: And your scene becomes more and more developed.
ANJULI: So for example, one day I used that to check the mails, and that was on the day after I had written the mail to Mary to seek for the session, and in the moment when we would have had the session I found Mary was sitting there waiting and I could have chosen to go to the phone and to talk with her and to have the session. And so the day after that when I had the feeling "Okay, now check the mails," Mary's mail was there that she was indeed sitting there because she hadn't gotten my original mail and a validation of my impression, so that was also fun for me to see that this time I created like this around the session. (Elias laughs)
And that morning also, that was an experience which I am investigating since a while, because you said energy is quite real and all of these experiences which seem to be maybe not solid or something like that, which I [inaudible] maybe in this not seeing them as real but that they are real. For example, the [inaudible] body in the Patel house and it's real, it's really happening, and so I was very much focusing on that. And there was an increased experience of being so fulfilled with energy direction, let's say. In the past I would have thought, "Now I need to write something on that in order to explain to people how I am or I am able to write this name or something," and I was just taking these pieces out of the whole reality, viewing them just because it's nonverbal and in which to be more real. And so I was focusing in a different way, and that felt so very freeing that when I feel me expressing my energy that this is the real interaction I have with everyone.
ELIAS: Yes.
ANJULI: And then that morning I suddenly felt I was in a so expanded space, kind of, that was even with an imagery of… okay, not like the others but like a blue planet. But I think that was not so important to dwell on this planet; it was more an imagery for you and from our connection and from a calmness and connectedness and this wideness that I can view everything that will occur, even the planets in our universe – like you said, that we both would explore and truly I see it and they're really out there.
ELIAS: Yes! And I am greatly acknowledging of this movement, my friend, for what you are doing is beginning to experience reality in a genuinely expanded manner in which reality is not merely limited to your immediate, physical environment, that there are other elements of realty that are equally as real but may not be as solid, or appear to be as solid, as you create within your physical environment.
But as I have expressed many times previously, the solidity of your environment within your realty in what you create is quite definitely associated with perception, for your reality is much less solid than it appears to be physically. It is your perception that creates that solidity in what you view within your reality, but you are beginning to enter into other areas of your reality in exploring the periphery, and that periphery is equally as real; you are merely unaccustomed to generating the intensity of focus with it to create the solidity of it. But in a fashion, it may be more fun to not be generating that type of solidity with the other areas of your reality, for with less solidity you allow yourself more mobility.
ANJULI: Ja. Ja, I was investigating into that, that I maybe thought only when something is created in solidity I have really created it and then it's really real. And then I thought for example when I connect with Timothy, it is his future, they are not that rigid and therefore it's not that rigid-solid; and just because it's not that rigid-solid I wouldn't see it as real, but it is of course real, and so I was investigating my beliefs to see what I see as real and not real and the freedom that comes from finally recognizing that this is all real no matter how solid it is.
ELIAS: Correct.
ANJULI: And after all, you don't have a solid body, Elias.
ELIAS: Correct. And I will express to you, my friend, this is in actuality quite significant and important, for in recognizing that solidity is not necessarily an indicator of real, it allows you to more effectively recognize how real energy is and what it does – that this is an expression that does not incorporate solidity, but it moves and it generates. And in that, many expressions are created THROUGH energy, but it is another example of things being created by non-things, which is a fine example of actually what you are. For you are in essence a non-thing, but you are a thing, for you have manipulated energy in a manner that allows you to create a physical manifestation. It is the same with ANY of your imagery and your reality: whether it contains solidity or not is not the indicator of whether it is real.
ANJULI: And when I saw it like that, I felt that I'm experiencing more intensity of these non-solid creations, like being with you and Patel and Timothy, for example, that I can focus better and that the intensity is more there because of this.
ELIAS: Yes, for you are more directly interacting with the energy.
Energy is a powerful expression. And as you continue, you can actually allow yourself to visually SEE the energy, which you have previously. Pastly you have allowed yourself at times to visually see energy, but you can develop that more fully and you can allow yourself to actually see energy moving, and in that, you can apply that vision within your interactions with physical individuals also. Which can be beneficial, for if you allow yourself to visually SEE other individuals' energies and how it is being projected and manipulated, it can allow you a greater understanding of what another individual is doing beyond what they are saying and beyond even what they may be physically engaging. For many times individuals, as you are aware yourself, think they are engaging doing in one direction, and in actuality they are doing in a different direction. They think they are projecting their energy in one manner, and in actuality their energy is being projected in a different manner.
ANJULI: Do you have an example within my recent experience of somebody doing this?
ELIAS: Yes: you! Which you are already aware of, but we can incorporate this as an example. In your interaction with your mother, your intention, your want, was to be helpful, and in wanting to be helpful you began generating an energy of concern.
Now; concern many times is interpreted by the individual as a positive expression. It is interpreted as caring, but it is different from caring, as you are aware, for we have discussed this previously.
Now; in this, were you to be visually viewing your energy and the projection of it, and her energy and the projection of it, you would have viewed what I will now describe to you.
Allow yourself to visualize with me. Visualize your body and her body: her body in the position of sitting, your body in the position of standing. You begin to approach, moving physically closer to her.
Now; within an approximate distance of let us say three meters, your energy is continuing to surround you. We will express that your energy is being generated with a pink color. Her energy is surrounding her in a blue color. Her energy is extending from her body consciousness approximately one-half meter; your energy is approximately equally the same. As you move closer, when you approach and are approximately one meter from your mother's physical body, your energy surges.
Now; this pink energy begins to reshape. Now, rather than being evenly distributed around the entirety of your body, it begins to move upward. It narrows near your feet and your legs, and it becomes much more expanded in relation to your torso, your upper body and your head, and it begins to move forward.
Now; this mass of energy is moving forward in a type of oval shape extending from your upper body, moving closer and closer to your mother's energy. As your energy moves closer and expands bigger and bigger, your mother's blue energy begins to recede and is becoming closer to her body consciousness as she faces you, but the energy moves behind her and extends further behind her. Your energy moves forward and moves over her energy. At this point, she manipulates her energy from behind her and pushes to attempt to push the energy in front of her to push against your energy, but your energy engulfs that energy, and therefore, in a manner of speaking, temporarily overpowers it. This is momentary, for you begin to notice her pushing, and you respond and you begin to retract your energy – but not entirely. You continue to hold it in expansion towards her, but you are no longer engulfing her. In this, eventually you allow yourself to recede your energy to the point where it is no longer approaching, it is merely surrounding you and it becomes more even once again, surrounding your body.
In this, were you to actually view the physical energy, you can recognize that the energy that you are projecting may be very different from what you think you are doing – just as I may express another example in the reverse, in which your sibling generated a similar intention of wanting to be helpful but was projecting an energy of overpowering. And in this scenario, you assumed the role of your mother, in which your energy began to recede and her energy began to push. As her energy pushed against you, your energy receded and would have been visually viewed as moving behind you. And once it moved behind you, you generated your own energy surge in the motion of pushing against your sibling's energy, which was responded to, and thusly she retracted her energy and you allowed yourself to be projecting forward again.
In actually visually viewing energy, it can offer you considerable information in what is actually occurring in interactions. It can also offer you information in interactions that are not engaged with physical individuals, for your energy is the expression of what you are actually doing. Therefore, in a moment you may be engaging in the periphery element of your reality and you may generate a startledness momentarily, or even a fear momentarily, in generating some action that is unexpected, and in that, if you are visually viewing your energy you can watch it contract very quickly.
In a manner of speaking, were you to liken this to a physical action within your reality, you could visually view a sea anemone. Have you seen a sea anemone? It is a sea creature. This sea creature retracts and appears at times as being little more than a stick within the sea, but when it allows itself to project, it trusts its energy outwardly and it appears to be a very attractive exploding sea flower. In its fear, or when it experiences a threat, it very quickly retracts itself as that flower and is hidden.
Your energy responds very similarly. If you become agitated or frightened, your energy will retract immediately – very, very quickly – and will be held so closely to your physical body that it will hardly be seen, for it will be so very condensed. But when not threatened, and when you are generating an ease, it expands naturally and flows quite easily, generating a very fluid movement. When it is being projected in any expression of aggression – which, aggression is not necessarily nasty; it is not necessarily intended to be harmful, but energy can be expressed in aggression with the intention of being helpful. When energy is being expressed in that manner, it would be similar to that flower extending itself to its fullest, and in that extension of itself to the fullest, swallowing a fish. For this is what it does: it preys, and in that, in its energy of being the predator, it clutches the energy of the fish and swallows it.
Humans generate a similar action.
Now; similar to the anemone, when it is projecting and swallowing a fish, it is not generating a malicious action. It is not generating an association that it is being hurtful; it is merely performing a natural action. Similarly with humans, but different, for humans incorporate beliefs. An individual may be intending to be helpful and may be generating a similar energy as the sea anemone.
ANJULI: For example, I thought I have to be helpful to my mother and convince her to go to hospital.
ELIAS: Yes.
ANJULI: I was overpowering her.
ELIAS: Yes. Not with the intention of generating that, but in energy that is what occurred.
ANJULI: My sister later said she couldn't transmit her perception to me, she wasn't able to do that. That was this other example you used?
ELIAS: Yes. Precisely. Her intention was not to be offensive, but her energy was projecting in that aggression, and therefore it became overpowering. And your response to that is initially to recede and subsequently to push to effect the other individual's energy to push away.
ANJULI: So that was also what I was investigating when I went [inaudible] on the Elias Darlings list [2] and I already thought I'd better not go there? (Elias laughs)
ANJULI: [Inaudible] I know I could create being responsive to that.
ELIAS: (Laughs) Which is merely another experimentation. What you are doing, my friend, is allowing yourself presentments of different expressions of energy in preparation for further exploration of energy, and perhaps the next step is to be visually seeing it.
ANJULI: Mm-hm. I was a little bit upset about myself, for I felt in those areas as if I was falling back into old patterns because I had known or experienced already differently as to accepting different perceptions and they were more fluid and more even in their interactions, and then suddenly that creation was just fluid with my mother came up and with my sister, and then finally the [inaudible] something in the list.
ELIAS: But this is also a fine example for you, Myranda. For in this, it allows you to recognize how easily you, in like manner to other individuals, move back into that association that you have moved beyond a certain expression, which is the same as you have eliminated it.
This is a reminder that no, this is not a setback. It is another presentment of interactions and perceptions and energy, and in that, that you actually are continuing within physical focus and continuing to be interactive with other energies and associated with your own perception and your own guidelines and how strong they are. But they are strong for a reason, for that is what allows you to move in the directions that are comfortable for you. And it allows you to more clearly define what your preferences are, especially in association with interactions with other individuals.
You are your own unique individual, and you incorporate your own guidelines with your own personality and your own preferences and your own opinions. And it is not necessary for you to agree with every other individual in their perception and their guidelines – and it is not necessary for you to LIKE them, either.
When you generate these presentments of expressions that are contrary to your own, it allows you to emphasize more clearly what your own preferences are.
ANJULI: Ja. I had a talk with my elder sister about that we tend to not express or [inaudible] conflicts but we do feel them on the inner, of course, and then when we don't say something even for years, now it feels as if it's too late because we never addressed to it and we always avoided to express, and then we don't… We discussed how to deal with that.
She has an example in her life, and I had this example about avoidance for a long time now, avoiding to talk about the Alterversity [3] and some experiences because I knew that some people would react, and then after a while I would react to their reacting and cannot be centered anymore, then I avoided to talk about that on the lists. And then this felt almost like limiting my own choices, because I thought I do like the lists, but on the other hand I now see that I am not really interesting so it's not that important because I am not that interested in the lists. But I addressed to it again and was wondering…
ELIAS: And in this, what do you perceive as a direction to incorporate in relation to avoidance? (Pause)
ANJULI: What?
ELIAS: Let me express first of all, in recognizing what you are presenting to yourself now in this subject of avoidance, it may allow you to reevaluate what is important to you. For, experiences may be generated in the past that may have been significant to you in the moment and may have continued to be significant to you for a time framework, but for your own reasons you choose to not address to the situation.
As time passes and as you change, the significance of certain experiences changes also. Therefore, it is an opportunity for you to reevaluate what IS important to you and, once evaluating what is important to you, I may express to you it is never too late to engage any subject. It is a matter of recognizing and acknowledging the significance or the importance of the subject and what is occurring within you in relation to the subject.
For if you generate an experience, and over the course of time you continue to replay the experience, it obviously incorporates an element of importance. In acknowledging that the experience and the subject does incorporate some importance, you can subsequently move into a further evaluation of what creates that importance. What is occurring within you? Is it an expression of hurt? Is it an expression of frustration? Is it an expression of discounting? Is it an expression of denying yourself an expression of sharing and of happiness?
And as you evaluate what is occurring within you in relation to the subject, you can more clearly evaluate how to address to that subject. And perhaps you may actually engage other individuals, and perhaps you may not, for it may or may not be necessary in your estimation. For once you have evaluated what is occurring within you, it may be a situation in which you evaluate that it is not necessary to engage another individual. But you also may evaluate in relation to certain subjects that it IS important to you to generate the ability to interact or to express yourself in relation to another individual.
But the first step is to acknowledge a particular experience or subject and whether you continue to replay it. And if so, it incorporates some importance to you.
And let me also express an addition to that. For many times individuals feel that they cannot share with other individuals, for they perceive that other individuals will not understand or will not be accepting. But many, many, many times, this may actually be associated with the manner in which the sharing is communicated. For you can share with other individuals, and in knowing some elements of the other individuals' perception or their opinions, you can choose different avenues in HOW you share experiences or information with the other individual.
For example, your stories that we interact with and participate in are very real, and you are aware of that and you are becoming more and more aware of that, and we that participate with you are very aware of it. The presentment or the sharing of your stories to another individual may be perceived as not real, but that matters not, for it is not a matter of convincing another individual of what is real and what is not real. It is more a matter of allowing yourself the freedom to share your experiences, and in that, your stories can be fun, imaginative stories which will be accepted as stories by the other individuals. But it also allows you an avenue in which you can express yourself, you can share, you can engage other individuals in your fun, and it matters not whether they interpret the experiences as real or not. Even if they perceive them to NOT be real, that is not to say that they cannot participate in fun with you in your sharing of your stores as an example.
View small children. Small children are enthralled and rapturous in the experience of an adult telling them stories. Small ones very much enjoy other individuals sharing stories with them, for it is a magical land that they can enter. But small ones are not the only individuals that enjoy stories – adults enjoy stories too. (Laughs) For they are fun and they are magical, and the better the story, the easier the individual can enter that magical land.
ANJULI: I enjoy our stories.
ELIAS: And so do I. (Laughs)
ANJULI: Elias, I bought a few things for our [inaudible] body: a ring and a [inaudible].
ELIAS: Ahh! To adorn the physical body. (Laughs)
ANJULI: Ja. [Inaudible]
ELIAS: (Laughs) And what a lovely note to be concluding our conversation upon: in the appreciation of the body, in the acknowledgement of your wonderful stories, and in the genuine sharing of each other and friendship.
ANJULI: Thank you, Elias.
ELIAS: I express tremendous encouragement to you, my dear friend, and I express a great acknowledgement of your movement forward. (Laughs)
ANJULI: Thank you.
ELIAS: Congratulations!
ANJULI: Thank you, Elías. (Both laugh) I definitely got a lot of new information and new things to play with from this session.
ELIAS: I shall be anticipating our next conversation, my dear friend. I express tremendous appreciation to you and dear, dear lovingness.
ANJULI: Thank you, Elias. I love you too.
ELIAS: To you, until our next meeting, au revoir.
[1] "Innernet," Session 1349
[2] A Yahoo message board that was active at the time
[3] There are many sessions that refer to the Alterversity, beginning in 2001.
(Elias departs after 1 hour 2 minutes)
Copyright 2007 Mary Ennis, All Rights Reserved.