Crystals and Gemstones
Topics:
“Crystals and Gemstones”
“Using Imagination to Make Bodybuilding More Fun”
“The Voynich Manuscript”
“Natural Gas, Planet Earth and Earthquakes”
Sunday, July 26, 2015 (Private/Phone)
Participants: Mary (Michael) and Ethan (Jasper)
ELIAS: Good evening!
ETHAN: Hey! How you doin’? (Both laugh)
ELIAS: As always, and yourself?
ETHAN: Very good. Now, I’ve got lots of questions.
ELIAS: Excellent! What shall we discuss?
ETHAN: My essence color is jasper red?
ELIAS: Correct.
ETHAN: And my focus color is metallic ultramarine?
ELIAS: Correct.
ETHAN: My essence animal would be an orange Siberian tiger?
ELIAS: Correct.
ETHAN: And my focus animal is a woolly mammoth? A weird one.
ELIAS: Correct!
ETHAN: Is Cassandra’s essence name Alice?
ELIAS: That is a fluctuation, but yes, that is correct.
ETHAN: Is that her current essence name?
ELIAS: Yes.
ETHAN: And what are her essence and focus animals?
ELIAS: And your impressions?
ETHAN: For essence, she said tiger and I thought swan. And for focus I thought hippopotamus or bumblebee, so a bit all over the place.
ELIAS: (Laughs) I would express correct, swan.
ETHAN: Okay.
ELIAS: And no, not hippopotamus, although I understand the connection.
ETHAN: Yes.
ELIAS: I would express capybara.
ETHAN: Oh! I love those, they’re cool. Okay. (Elias chuckles) And her stats are Tumold/Vold, emotional, dispersed and intermediate.
ELIAS: Correct.
ETHAN: For all?
ELIAS: Yes.
ETHAN: Okay. Now, into the more in-depth questions (Elias laughs): bodybuilding and experimenting with physical body aesthetics. I’ve done some gym work and some weightlifting recently and it’s sort of become boring, and I want to design a more fun method. Are crystals a good tool for bodybuilding in that sort of direction?
ELIAS: They can be, yes.
ETHAN: Okay. So what crystals would you say are beneficial for body strength, muscle building, promoting body growth in that sort of area?
ELIAS: Amethyst.
ETHAN: Amethyst?
ELIAS: Yes.
ETHAN: Is that for enhancing?
ELIAS: Yes.
ETHAN: Okay. Just on its own?
ELIAS: I would express amethyst and gold.
ETHAN: Okay, well I’ve got both right here, so that’s a good start. (Elias laughs) And what sort of method would you suggest for them to be engaged? Like should they be worn, or specific sort of ways they could be engaged?
ELIAS: It is not necessary for you to wear them. I would express that it would be effective and efficient to incorporate them within close physical proximity.
ETHAN: Okay.
ELIAS: But it is not necessary for them to be actually touching your body.
ETHAN: Yes, yes. What other fun methods could you suggest that I could engage in this area of bodybuilding?
ELIAS: Very well. I would express that my first suggestion would be to also include imagination. Therefore, generating the physical activity in conjunction with imagination. Do them together.
ETHAN: Yes.
ELIAS: In that, allow your imagination to genuinely flow; genuinely express an allowance with your imagination. Therefore, set an intention and engage, or begin engaging, the physical activity, and while you are engaging the physical activity, allow yourself – rather than concentrating only on the physical activity – allow yourself to be engaging your imagination as soon as you begin the physical activity, therefore moving your attention back and forth between the physical activity and the imagination.
Now, how to use your imagination is directly in relation to whatever you are doing. Meaning, whatever action you are engaging, allow your imagination to flow into some form that, in a manner of speaking, embodies that action. Therefore, what you are doing is you are creating an image for whatever the action is, but the image is entirely different. Therefore, offer an example of one action.
ETHAN: Lifting a barbell.
ELIAS: Very well: lifting a barbell.
Now; in lifting the barbell, how much weight are you incorporating with the barbell?
ETHAN: Say, 50 kilograms?
ELIAS: Very well.
Now; in this, allow your imagination to conjure an image that translates in relation to that weight and that manifestation of the barbell. Let us say… (Pause) while you are engaging it, now the barbell is not a barbell, it is not that object. It, in relation to your imagination, has become… (slight pause) a turtle.
ETHAN: Oh, okay. (Laughs)
ELIAS: Now; this is an example of using your imagination to conjure an image that is entirely different from what you are physically engaging. Therefore, you are physically engaging the barbell, but now the barbell is a turtle. How do you hold the turtle and lift the turtle in a manner that allows you to accomplish lifting its weight without disturbing it or damaging it?
ETHAN: Okay.
ELIAS: Now; how do you do that? Perhaps the turtle is a large turtle, and using your imagination, perhaps the turtle then sprouts wings.
ETHAN: Yes.
ELIAS: Now the turtle is AIDING you in lifting it. Therefore perhaps your hands are placed upon its neck and its tail, or one front foot and one rear foot. And in that, you are lifting it, but it is helping you to lift it.
ETHAN: Okay.
ELIAS: In this, what that does is it creates a message to your body consciousness that what you are doing is fun and also that your body is capable of engaging it without injury. It also allows you to be engaging your thinking in relation to imagination, rather than merely the mundane repetition of whatever you are doing. While you are engaging the action, you incorporate repetitions?
ETHAN: Yes, that’s correct.
ELIAS: Very well. While you are engaging the action in a physical capacity, allow the imagination to flow with it. Therefore, you are engaging an action in repetitions, therefore allow the imagination to change as you engage the repetitions. Therefore allow the turtle to change while you are engaging the repetitions.
Now; in that, what I would express is the question: When you are engaging this type of action and you are generating repetitions, when do you feel the most challenged? When you begin, or towards the end?
ETHAN: Towards the end.
ELIAS: Towards the end. Therefore, you include that in consideration in relation to what you are imagining.
ETHAN: Okay.
ELIAS: Therefore, some individuals incorporate more challenge as they begin, and as they continue it becomes easier, and some individuals generate the reverse.
Now; in that, accordingly you change, or you allow the imagination to evolve in its imagery. If you are, let us say, using our example of the turtle, and that the turtle incorporates wings that is helping you to lift it, in that, as you move towards the end of your repetitions, allow the turtle to reconfigure. And in that, perhaps it elongates itself and therefore becomes lighter, or the weight is redistributed and it is easier to be lifting it.
But in all of this process, engaging the imagination, it will allow you to engage the physical actions in repetition in a more fun and creative manner. You can also include, through imagination, that your images are interacting with you or are expressing conversing with you, therefore encouraging you or speaking to you in some manner: giving you inspirations, giving you ideas to contemplate. In that, you are not only engaging in a more fun capacity, but you are also allowing yourself to move in the direction of inspiration.
ETHAN: Okay.
ELIAS: That can also include factors of your body. If, let us say, the turtle is also speaking to you while you are engaging it, it may be expressing comments in relation to your body consciousness or how you are standing or how you are sitting or how you are lying, and in that, perhaps how you are breathing, and generating suggestions or encouragements. In this, you turn a singular action of an exercise into a interaction that is creative and fun and encouraging.
ETHAN: I really love that. I’m going to try that, definitely. Thank you.
ELIAS: (Laughs) And as I expressed, the turtle is merely an example of the imagination. You could be engaging an alien. (Both laugh)
ETHAN: Oh, okay.
ELIAS: For it is your imagination that you are engaging. (Laughs)
ETHAN: Yes. Thank you.
Okay, other questions. Can you suggest a mineral or crystal that would be beneficial for eyeglass frames? For me.
ELIAS: Eyeglass frames. I would suggest… In relation to eyeglass frames, I am aware that in this present time framework generally they are composed of different components of plastic.
ETHAN: Yes.
ELIAS: I would suggest, if you are exploring a different element: aluminum or silver.
ETHAN: Okay. Thank you.
ELIAS: You are welcome.
ETHAN: What is the function of aluminum, or “aluminium,” as I’d say it?
ELIAS: Aluminum incorporates a more neutral property. Therefore, the energy of aluminum is somewhat neutral, but it also can be drawing or repelling. Meaning, it can repel unwanted energy, and it can also draw what IS wanted.
ETHAN: A magnet.
ELIAS: Therefore in relation to eyeglasses, that can be beneficial for it can buff out unwanted energies, but it can also draw out your own… (slight pause) obstacles, and it can draw in what you want, or aid in what you would term to be making clearer what you want.
ETHAN: Okay. The gemstone in my ring, is it a pyrope garnet?
ELIAS: Yes.
ETHAN: Is it mined from Zimbabwe?
ELIAS: Originally.
ETHAN: What do you mean by originally?
ELIAS: (Laughs) It has generated many travels.
ETHAN: Oh, I see. Was it made in 1927, the ring itself?
ELIAS: (Pause) Precisely in that year? No. I would express that you are close, in a year later.
ETHAN: Okay, thank you. What is the function of pyrope?
ELIAS: And what is your assessment thus far?
ETHAN: I’ve been wearing it the last few days, and I wrote “magnetizing” because it seemed to magnetize positive situations, but I wasn’t quite sure.
ELIAS: I would express that is an excellent description, yes.
ETHAN: Okay.
ELIAS: And is magnetic.
ETHAN: Okay, cool. What’s the function of ruby?
ELIAS: Ruby, the stone?
ETHAN: Yes.
ELIAS: Rubies are powerful stones. In that, they do incorporate some qualities that are similar to gold in relation to power. I would express that rubies are empowering stones. It is not necessarily an enhancing stone, as an amethyst, but more a stone that generates strength in empowerment. Therefore I would express that its greatest quality is strength.
ETHAN: Okay. I’ve been drawn to ruby. What’s the function of zebra jasper?
ELIAS: That can be – dependent on how you are using it – calming, and it can be soothing.
ETHAN: I wrote “cohesion;” does that make sense?
ELIAS: Or it can in some situations be agitating.
ETHAN: Oh, okay.
ELIAS: Therefore it is a matter of how you engage it, and what your energy is being expressed when you are engaging it. For, I would express that it can be soothing if you are wanting to move in that direction, but if you are not paying attention it can also be agitating.
ETHAN: So it’s kind of like the zebra stripes, two different sides?
ELIAS: Yes.
ETHAN: What about tiger’s iron?
ELIAS: Focus.
[Note: Throughout much of the next section concerning the properties of different gems, Elias often pauses to access the information before giving an answer. Since there are so many of them, these pauses won’t be reflected in the transcript.]
ETHAN: Jadeite?
ELIAS: Clarity.
ETHAN: Nephrite?
ELIAS: Energy.
ETHAN: In what way, energy?
ELIAS: Promoting.
ETHAN: Okay. Moldavite?
ELIAS: Hardening.
ETHAN: Diamond?
ELIAS: Expansion.
ETHAN: So a good stone for shifting?
ELIAS: Yes.
ETHAN: Sapphire?
ELIAS: Also to a degree magnetic, but I would express in the capacity of focusing inward, it is a contemplative stone.
ETHAN: I wrote “wisdom and telepathy;” would that be connected?
ELIAS: Yes.
ETHAN: What about emerald?
ELIAS: Emerald: aesthetic.
ETHAN: Promoting aesthetics?
ELIAS: Yes.
ETHAN: Differently to kunzite?
ELIAS: And your assessment? Or impression?
ETHAN: I don’t have one currently.
ELIAS: (Laughs heartily) Changeability.
ETHAN: Okay. What do you mean by changeability? (Laughs) Sorry.
ELIAS: In a manner of speaking it promotes change.
ETHAN: Okay. So it would be helpful in my earlier questions regarding bodybuilding, or no?
ELIAS: Yes!
ETHAN: Okay. What about spinel? I wrote “appreciation and self-respect.”
ELIAS: It would definitely be encouraging of those expressions. Yes, I would agree.
ETHAN: What is its function that you would describe it as?
ELIAS: Nurturing.
ETHAN: Okay. Aventurine?
ELIAS: This incorporates a quality that is active.
ETHAN: I wrote “circulation,” because that was my first impression.
ELIAS: It can. It can also generate a restlessness. It expresses a quality that spurs into action.
ETHAN: Okay. Oh, I felt that, so that makes sense. Brass?
ELIAS: Singularity.
ETHAN: What did you mean by “spike” for pyrite? What would be an example of using spike energy?
ELIAS: In what capacity?
ETHAN: If you wanted to be beneficial for an expression. ‘Cause I’m not quite sure how spike energy could be utilized.
ELIAS: I would express, in a physical capacity it can… generate bursts – therefore bursts of energy.
ETHAN: Okay. Platinum?
ELIAS: Platinum… smoothing.
ETHAN: And another garnet, almandine. I wrote “empathy.”
ELIAS: It can, for it is a connecting stone, therefore it can be incorporated in relation to empathy.
ETHAN: Would you describe its function in any other way apart from connecting?
ELIAS: Communion.
ETHAN: Okay. Copper?
ELIAS: Roughening.
ETHAN: Titanium?
ELIAS: Enduring, or endurance.
ETHAN: Palladium?
ELIAS: Projecting.
ETHAN: Carnelian? Or is carnelian the same as agate?
ELIAS: It is very similar, yes.
ETHAN: Okay. I found a new one; it’s called vivianite.
ELIAS: And your impression?
ETHAN: I just got reminded of Vivette, or Ann. I didn’t know why, I just chose it.
ELIAS: It incorporates similarities to citrine.
ETHAN: Which is encouraging?
ELIAS: It is, but it also incorporates that property to be opposite.
ETHAN: Discouraging.
ELIAS: Therefore, it is another stone that it would be significant to pay attention to how you are using it.
ETHAN: Okay. All right, so… What would you say is the difference in the function or expression between a single refractive gemstone and a double refractive and how they interact with the human body?
ELIAS: The difference would be that the second incorporates more variations than the first.
ETHAN: Okay. And what would be one you’d recommend – a double refractive, that is – that you’d recommend for me to wear, if I was to wear it as a ring? For my energy.
ELIAS: That, I would express, is a matter of you expressing that discovery. What I would suggest, as you are obviously expressing a fascination with stones –
ETHAN: Yes. (Laughs)
ELIAS: – I would suggest that you actually, physically engage different stones that you are attracted to.
ETHAN: Yes.
ELIAS: But, of those stones that you are attracted to, actually physically engage them. Hold them, and allow yourself to feel them first.
ETHAN: Okay.
ELIAS: And you will know which one resonates well with your body consciousness as a whole.
ETHAN: Okay.
ELIAS: [Audio cut off] feel comfortable.
ETHAN: My mother’s ring that she lent me, is that a smoky topaz as the gemstone?
ELIAS: And?
ETHAN: Pardon?
ELIAS: And?
ETHAN: Oh, I was asking if it was a smoky topaz, a confirmation.
ELIAS: Yes.
ETHAN: And also what’s the function of smoky topaz? I got clearing, or like balancing emotional issues?
ELIAS: Clearing.
ETHAN: Okay. Thank you. Vivette would like to know this as well – it’s about jet lag, and does it have an impact on the body consciousness, being high up in the air and away from the Earth?
ELIAS: It can, yes.
ETHAN: Can this be offset through wearing metals and gemstones? Because Metatron went into this in quite a bit of detail.
ELIAS: Yes.
ETHAN: Okay. Metatron also mentioned that beryl and corundum shouldn’t be worn at the same time; is this your suggestion as well?
ELIAS: That, once again, is dependent upon what the individual is doing. Now, I would agree with that if the individual is only wearing them for effect of adorning themself, or “jewelry.” For in that, if the individual is not aware of what they are doing and they are only choosing it for their appearance, I would agree with the suggestion.
ETHAN: And why is that? Why is that combination… I don’t know, not “special” but not advised?
ELIAS: There are many combinations that are similar that would not necessarily be advisable to generating combination with each other – some of which, in a manner of speaking, cancel each other; others interact with each other’s capacities in manners that are uncomfortable.
ETHAN: Mm-hm. So it’s a matter of knowing the function and then seeing how they interplay, really.
ELIAS: And how that interplays with you, with your body. For, as I’ve expressed many times with many individuals previously, it is not a black-and-white direction with [audio cut off]; they are all individuals, and although they incorporate common qualities, it is in a manner of speaking very similar to yourselves as humans. You may incorporate many similarities to another individual and not be compatible with them.
ETHAN: Oh, I see.
ELIAS: Or not be comfortable with them, and that would be for the energies do not necessarily match, regardless that you express many similar qualities.
ETHAN: Like counterpart action.
ELIAS: Yes. Therefore, stones are very similar in that. Yes, each stone incorporates qualities or properties, but the capacity in which they are expressed and in relation to each individual’s energy may be different.
ETHAN: Yes.
ELIAS: Some of them may be rendered neutral with one individual’s energy and they will not experience anything with them. Others, or with the same individual, they can incorporate other stones that that the energy will be overwhelming to them, and to another individual it would be calming or encouraging. Every stone incorporates its own energy signature, and it is a matter of recognizing whether that energy signature matches and is compatible with yours or not.
ETHAN: Okay. Can I have a more accurate name or identification for the Voynich manuscript, or what the original was called? It can be a translation.
ELIAS: (Pause) It did not actually incorporate a name, for a name was not given to it initially.
ETHAN: Okay. Was it other-dimensional?
ELIAS: Mm… partially inspired in that capacity; not entirely.
ETHAN: I see.
ELIAS: But partially inspired, yes.
ETHAN: And there’s a picture in it of like a Pleiadian connection. Is that accurate to what the sort of dimensional connection was?
ELIAS: That is a translation.
ETHAN: Okay. Is there a more accurate translation of that?
ELIAS: What I would express to you is, any translation into your reality would be precisely that, a translation, and not necessarily accurate or not accurate. It is not necessarily a matter of accuracy; it is a matter of what you can identify with.
ETHAN: Okay. On the manuscript itself, were the plants in it collected because they heightened physical states of well-being or “health”?
ELIAS: (Pause) Yes.
ETHAN: I’m sort of drawn to it because I want to, I guess, physically manifest the plants. Is that relevant to this reality, to this dimension?
ELIAS: At this present point in time framework, in an actual physical manifestation?
ETHAN: Yes. Like the plants physically manifested.
ELIAS: No, not yet.
ETHAN: Okay. Could you identify what the totem-like structures are on the lefthand side? It’s in the section with vegetables and sort of plant roots.
ELIAS: And your impression?
ETHAN: Well, my impression’s sort of… It seems like a totem of their qualities? I don’t know. It’s a bit confusing to me.
ELIAS: (Laughs) Confusing in what capacity?
ETHAN: It’s not like something I’ve seen before. Totem is the only thing I can sort of link it to in my mind.
ELIAS: I would agree, that is a somewhat accurate description. They’re symbols. And in that, yes, they do incorporate an energy that in a manner of speaking can be unlocked. I would express that they are avenues of directions.
ETHAN: Okay. There are nine circular… They seem biological or like coral reef-type circular structures. Do they relate to the nine essence families?
ELIAS: Yes.
ETHAN: Just for clarity’s sake, what’s the first one?
ELIAS: Pardon?
ETHAN: The top lefthand corner, what essence family would that be linked to?
ELIAS: Ah! And shall you not express impressions and investigations?
ETHAN: Okay, I might do that later.
ELIAS: (Laughs) Very well.
ETHAN: Why do I get a strong pull to the plant rosemary?
ELIAS: It is a very versatile plant. It is not only aromatic and appealing in taste, but it also incorporates properties that are both simultaneously stimulating and soothing. Therefore, it is also a plant that can be useful in healing.
ETHAN: I see. I have problems – well not problems, but challenges – with shampoo. I don’t sort of like it, but I want to sort of design my own. What ingredients or substances would you recommend to start off with if I was experimenting in that area?
ELIAS: And what are you drawn to?
ETHAN: Rosemary, first off.
ELIAS: And?
ETHAN: Ah. No impressions currently. (Both laugh)
ELIAS: As to a shampoo, yes?
ETHAN: Yes. Daily, or regularly.
ELIAS: I would suggest that you include a combination in small quantity of sea salt and aloe.
ETHAN: Thank you.
Could you comment on, just briefly, natural gas and how it functions in the Earth? ‘Cause you commented on – I think it was petroleum or oil – and how that was vital in the Earth and it wasn’t really our fuel. Can you give a function for natural gas in the functioning of Earth?
ELIAS: Very well. Natural gas in relation to your planet – and I would express that there are many; it is not merely one. But, in this, your planet uses gas in a manner of speaking as a type of lubricant and cushion. Therefore, what it does is it stabilizes different aspects of the inner functionings within your planet.
As you are aware, your planet incorporates tectonic plates, and these plates are a significant part of the outer layers of the structure of your planet. And in that, they are not stationary. They are moving. But, the natural movement, and the efficient movement, of these plates is very tied to the gases that are generated and held within your planet, for that serves as a type of cushion and… shock absorber, in a manner of speaking, for the movement of these plates. It is natural for these plates to be moving continuously. The inner core of your planet is continuously moving, and every layer of it is continuously moving. It is not a static object. In this, there are factors within your planet that aid in, or facilitate, the efficient movement of different aspects of your planet. Some are liquid, some are not. In this, gas serves as a manifestation within your planet to, in a manner of speaking, allow the movement of those plates without colliding and breaking.
ETHAN: So it’s useful for not having such extreme earthquakes?
ELIAS: (Emphatically) Correct.
ETHAN: Okay.
ELIAS: Very much so.
ETHAN: That’s interesting.
ELIAS: That when you remove that cushion, then you are generating a situation in which these solid masses are moving and are not being separated to move freely and they collide with each other, and that creates disturbances.
Just as with anything that generates collisions, when you collide one object with another object, what occurs? What does it do? It creates a disruption. In that, it also stops a function momentarily or temporarily, and therefore, it is interrupting that flow by extracting that natural element that allows for that free flow without collisions – or with very few collisions. You are creating a situation in which, yes, you are very likely – and you have already given yourselves evidence – that it does affect how the planet is functioning and it creates much more of these collisions, and that creates much more your earthquakes.
ETHAN: Okay.
ELIAS: But it also creates more than merely earthquakes. For, an earthquake is merely one symptom. It is merely the most obvious – or the most dramatic, let us say, in a moment, for it is extreme in a particular moment. Therefore, it becomes more obvious to observe that. But there are other affectingnesses that are occurring that may be just as dramatic, but they seem more subtle for they occur over time, not merely in a moment.
ETHAN: Okay.
ELIAS: And that is that when these plates are moving and colliding with each other and they do not incorporate that flow, it not only affects the outer edge of your planet in these eruptions, but it changes the configuration of the underlying layers of your planet. Therefore, it changes what is occurring on the surface. Therefore, areas of your planet that have been fertile ground become less and less fertile, and the components that are the makeup of what you identify as fertile ground that promotes growth, those components, those elements that generate that type of surface move. It is not only that one layer of the Earth moves; all layers of the Earth move. Therefore when you affect one layer, you are affecting the other layers also.
And in relation to a planet, it generates very similar to a tree. It generates from the core -- outward, outward, outward.
[The timer for the session rings]
Therefore, rather than a domino effect in a line, it will take in a circle, but it moves from inward to outward – very similar to a ladder: one rung effects the next rung. And in that, when you affect one of the layers, you change the layers beyond it. Therefore, areas that are or have been desert change. Areas that are or have been fertile and farmland change.
Every aspect of your planet, every terrain of your planet on the outer layer is significant and has its purpose. When you displace them, you change the dynamic of how it functions.
ETHAN: Yes.
ELIAS: Not that you KILL it; you do not. But you change how it functions, and that changes everything else.
ETHAN: Okay. Thank you so much for that. But the buzzer went off so just one last question, or one or two more. Kimmi wants to know if she can get Connu to manifest as a complement to her? Or if she can’t, the name of another complement?
ELIAS: (Pause) I would express that, if she is so choosing, I offer an invitation for a discussion.
ETHAN: Okay. Liana wants to know if she’s in transition, is experiencing dementia or if she’s just shifting and expanding? She’s feeling very detached and wants some insight into that.
ELIAS: Transition, yes. Dementia, no.
ETHAN: Excellent. She would be happy about that.
ELIAS: (Laughs) Very well.
ETHAN: Okay.
ELIAS: And we shall engage shortly.
ETHAN: Yes.
ELIAS: Very well.
(Elias departs after 61 minutes)
Copyright 2015 Mary Ennis, All Rights Reserved.